If you want to trim up a clip to match another clip in the track above, you'll need to get really close to the screen and eyeball it.
No snapping to align with other clips.To get around this, you'll have to create a black image in the same resolution as your sequence (in my case 3840 x 2160 px), insert it into your sequence, and put your title over it. This is frustrating if you want to have a title over a black background, for instance. Whenever you move or delete a clip, the empty gaps left are automatically removed (the equivalent of a Ripple Delete in Premiere Pro). In Premiere Rush, you can't have any blank space on your sequence timeline.Since slo-mo clips shot on my iPhone are at 1080p, I had to manually scale them up by 200% to fit my sequence settings at 4K, which was easy enough, but still a little annoying: No support for slo-mo clips, nor the ability to change playback speed of clips in your sequence.Here are some things I was a little bummed about, that I hope Adobe addresses about Premiere Rush: Due to the simple interface, I often found myself trying to right-click to get more options for common tasks, but was left hanging. The interface is simple and refreshing-a welcome change from the cumbersome, heavy interface of Adobe Premiere Pro, which has acquired so much baggage over the years. Premiere Rush promises a simple, consistent editing experience across your desktop and mobile devices, with projects syncing by default across all devices. For October's video, I decided to give the recently released Adobe Premiere Rush on macOS a try. For this task, I typically use Adobe Premiere Pro, After Effects (for the occasional motion graphics or more advanced effect), or iMovie. Each month I compile a family video made from the random videos that my wife and I shoot on our iPhones.
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